In the late 90s, I wrote a monthly studio-techniques column for Bass Player magazine, and about a dozen articles articles for Recording Magazine.
As a user of the Panasonic/Ramsa DA7 digital mixing console, I've collected a lot of my discoveries and thoughts about that device on a set of essays pages.
Recording Magazine
May 2002: review: Mackie MDR24/96 Hard Disk Recorder
Mar 2002: Vocal Booth Blues
Jan 2002: review: Audio-Technica 3031 and 3032 microphones
May 2000: review: Tascam DA-78HR
Fall 1999: review: FMR RNC Compressor
Apr 1999: The Dirty Dozen - Sound reinforcement do's and don'ts
Mar 1999: review: Event 20/20p Studio Monitors
Jun 1998: review: BPM StudioTechnik CR-10, CR-95, and TB-95 microphones
Apr 1998: review: AKG C480B microphone
Jan 1997: The Glass Booth - two simple designs for isolation booths
Jan 1997: review: The Joe Meek VC3 Pro Channel
Nov 1996: Doing It All For A Song – a "Fadeout" guest editorial about ways to encourage the best performance from an artist.
Sep 1996: Are Computer Platforms Converging? – An article describing the Apple-IBM-Motorola Common Hardware Reference Platform (CHRP).
Bass Player Magazine
I wrote a studio-techniques column entitled "Studio Time" for about two years. Each column was about 1000 words.
Aug 1999: "Location Recording" - part 2
Jun 1999: "Location Recording" - part 1
Apr 1999: "Are Your Papers In Order?" - Session documentation
Feb 1999: "Acoustics 101"
Nov 1998: "Monitoring"
Aug 1998: "One Song's Challenges" - Mixing experiences
Jun 1998: "Patch Bays"
Apr 1998: "Shhhhh!" - Noise Reduction
Feb 1998: "Gain Staging" - Gain Staging
Nov 1997: "Balancing Act" - Balanced signal lines
Aug 1997: "Compress This" - Compression
Jun 1997: "Going Direct" - Direct Inject (DI) recording
Apr 1997: "The Signal Chain" - Intro to the signal chain from instrument to recorder.
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